2012-01-25

A separation / Losers' Club

Image from the movie Losers' Club
Recently i had the possibility to see two great movies: "A Separation", Iran, 2011, directed by Asghar Farhadi, starring Peyman Moadi and Leila Hatami ; and "Losers' Club", Turkey, 2011, directed by Tolga Ornek and starring Nejat Isler, Yigit Ozsener and Ahu Turkpence. The two movies are quite different from one another, although there are some important elements that unite them, the ideas of loneliness, separation and their opposites. Even thou both countries are mostly Islamic the fact that Turkey is secular can easily be seen. Losers' Club nonetheless puts into discussion culture and censorship. In "A Separation" we are immersed into a truly theocratic society with a strict (although incomparably softer than in many Middle Eastern countries) sharia law.

What stuck with me after seeing the Iranian film was that family is important, very important... when you add children into the equation things take a drastic turn... into the better in my opinion. The starting point with the two wanting to get a divorce, in fact she wanting to get divorced slowly makes room for other issues, only to be remembered in the end of the movie when, in fact, I even hoped the two will not separate. I will not explain the entire movie, but the decisions Nader will make along the way from Simin wanting to get a divorce but being denied to Simin being granted the divorce will show that he, Nader, while not having the power to let go, will, inevitably let go.

Loser's Club is a totally different ballpark, in fact it's not even the same sport, here we have the story of two typical rock n' roll free spirits discussing things, with no form of censorship on their nighttime radio show. Both of them have their own businesses, Kaan has an unsuccessful publishing company while Mete runs a pub and ultimately a shop. The two will go through a series of very interesting events and the overall comical nature of the movie will surely give you something to smile at while not neglecting the pop-philosophy foundation. I admire Tolga Ornek for this masterpiece of Turkish cinema.




Song title: Yalnizlik Omur Boyu, form the soundtrack of Losers' Club.

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